Blog

  • Krupa Ge longlisted in the Toto Awards for English Creative Writing 2016

    Krupa Ge longlisted in the Toto Awards for English Creative Writing 2016 !

    Toto Funds the Arts is a non-profit trust set up in 2004 in memory of Angirus ‘Toto’ Vellani, who was intensely passionate about music, literature and film. It nurtures and encourages young artists in India through awards, workshops and other events.

    Congratulations Krupa !

  • Samhita Arni meets the Class at Anita’s Attic

    Season 2 at Anita’s Attic | Week 8

    Samhita Arni is as young as they come. But this is a writer whose understanding of her realm and her passion for the myth space would far out rank those of many mature writers. She is exactly the kind of beacon the writers at Anita’s Attic needed to draw them on.

    For without passion, there is no writing. And without research, there is no foundation to build the imagination on.

    Thank you Sam.

    We loved having you.

  • The Editor & the Writer hold court at Anita’s Attic

    Season 2 at Anita’s Attic | Week 7

    It’s wonderful to have some of the finest writing talent drop in to Anita’s Attic to speak to the writers on the writing process.

    It is just as important to have an editor come by to tell them what goes into the editorial process and how manuscripts actually transform into published books. What does an editor seek in a new voice? What does an editor detest? What does an editor actually mean when she says ‘it doesn’t work’- and who better than the gorgeous and keen-eyed Ajitha G. S., Commissioning Editor at HarperCollins India?

    And then a bit like the masterchef classes, a favourite from the previous season Krupa Ge dropped in as well, but more on Krupa and her doings very soon in a separate post.

    Ladies, you rocked!

  • The zany Dave Besseling at Anita’s Attic

    Season 2 at Anita’s Attic | Week 6

    It’s not often that one finds a writer like Dave Besseling whose writing has an edginess that makes you want to both cringe and applaud.

    Last Saturday, the Deputy Editor of GQ India and the author of Liquid Refuses to Ignite, and whose writing has been featured in GQ, The Atlantic, Slate, Esquire, Wallpaper, Rolling Stone, Forbes, The Asia Literary Review, The Toronto Star, Mint-Wall Street Journal and others dropped into the Attic to chat with the writers of Season 2.

    He was candid, fun and precisely the sort of writer so necessary to add a flip to the middle of the season.

    Thank you Dave. We loved having you!

  • The Silk Route

    [symple_box color=”blue” fade_in=”false” float=”center” text_align=”left” width=””]Originally published in the Times of India – Kochi Edition on 3 October 2015 as a part of its 1st Anniversary Special.[/symple_box]
     
    Silk-Route---Anita-NairI am confused. There is this phrase `Indian Cul ture’ we like to bring out to justify our warped beliefs and twisted, inhuman, brutal acts. There is this word `culture’ we hang on our pennants and brandish to the world to explain everything we do from why we eat with our hands [which is perfectly fine], to why we defecate in the open [which isn’t]. There is this mantra `Indian Culture’ that we hug to our many thousand-year-old bosoms and preen with the smug nonchalant expression of the cat that drank up the baby’s milk: it is the nature of a cat to do so. Take it or leave it, but this is who I am and will continue to be.

    But what is our culture? Is it a mob attacking a family and killing a man because he is alleged to have eaten beef ? Is it shooting voyeuristic photographs of women in leggings and running it as a cover story?

    Is it a group of priapic young men pouncing on a lone girl like a murder of crows on a baby mouse and tearing her to shreds? Is it as silly as a `mandoos’ man suing a hotel for not having a health faucet? Is it a bunch of right wing political parties extenuating each one of these crimes with a grudging `it is wrong, of course, but it is our Indian Culture to not eat beef, not to wear leggings or for women to not go out on their own late in the night, and of course, to wash our bottoms.’ The sub text being you will pay the price if you do not follow the diktats of what we believe is our ancient culture. But how can any value system be termed culture if it stays stagnant and ceases to grow?

    What was once right may not be right anymore! Then there is the other and more frightening dimension. Where is it written that only men are the custodians of our culture? What makes it the man’s prerogative to appoint himself as the culture vigilante? Perhaps it is just me but I am yet to read about a mob of women who will attack a family for eating a particular kind of meat. I am yet to hear of a woman who will shoot pictures of the bulge in a man’s pants. I am yet to meet a group of women who will harass a man out on his own at night or do him bodily harm. So don’t women have a responsibility to uphold the cultural flame?

    They do, but without the extremism that seems to enter the male cultural deacon’s efforts. Look around you, gentlemen, or better still, sit in a corner of your home for one full day and watch the women in your family and you will see for yourself what culture is truly about. It is your sister drawing a kolam in your front yard improvising on a design that your grandmother probably taught her, for culture is kept alive only by regular injections of fresh thought; it is your little daughter sharing her toy with your son because culture is about a generosity of spirit and deed; it is your wife cooking you fish even though she is a vegetarian herself because culture is about accepting a fundamental tenet of humanity: live and let live; it is your mother haggling with the vegetable seller without raising her voice or punching his nose because culture is about stating your point of view without violence or creating mayhem. It is your niece tending to her little garden of flowers and vegetables, for culture is also about nurturing and keeping; and sustaining what there is to make our lives better.

    Gentlemen, you tell yourself that these are not life changing things. Women have always done them. But we men have larger issues to grapple with. Would you kindly explain to me what these larger issues are?

    Moral policing? Caste politics? Milking the exchequer dry? Corruption? Working against the larger interest of the nation by turning politics into a power play?

    Segregating the country into groups and forcing the rest to follow one belief system? Destroying nature to satiate your greed? And before you say it, women do all of these as well. There are women bootleggers and brothel keepers, women traffickers and smugglers; there are corrupt and power hungry women politicians; there are women who are a disgrace to world womanhood with their archaic thoughts on what an Indian woman must wear, do, say and show.[`No cleavage please, we are Indian’ being one of their favourite chants]. But somehow you men manage to out shadow the women when it comes to retrograde thinking. Just as in the Indian Parliament, your percentage is way above the seats reserved for women MPs.

    So here it is, gentlemen, let me share with you what I think culture is all about. And as a woman, let me use a womanly metaphor to explain. Let us see culture as a silk sari which so embodies our pan Indian DNA.Like silk saris, culture needs to be washed periodically . Grime and rankness have a way of clinging to anything with time; that does not mean we wring away its very life. Instead, we treat it gently but with a sure hand and iron out the wrinkles that appear after the washing. Culture needs frequent airing for both silk and culture are organic and can survive only when allowed to breathe. Culture, just as silk saris, are not to be stacked up in the cupboards of our mind, but to be worn every day and be made part of our daily existence. And there is a time and place to play the culture card just as there is a time and place to wear a silk sari. So it may be prudent to wear a short dress on the beach, stride around in leggings on a morning walk, and yet choose to wear saris at other times.

    Culture is mostly about being able to make a choice and not because it is demanded of us. So I will eat beef if I choose to and turn vegetarian if I want to. I will embrace both the occidental way of life and my Indianness for true Indian culture is about being catholic and expansive enough to accept and absorb multiple ways of thought and life. I will read the Bhagwad Gita, the Bible, the Guru Granth Sahib and the Quran. I will sing both carnatic music and strum a rock song on the guitar. I will not stuff my values down your throat and nor will I allow you to stuff your values down mine. I will live and let live. Culture exists to enhance my life; I do not exist to enhance culture.

    I think of my little village Mundakotukkurussi where the population veers equally between Hindus and Muslims. Once upon a time there wasn’t any tension in the name of religion or culture. Neither the Hindu women adorned their foreheads with a beaconlike kumkum nor did the Muslim women hide under a burkah. What happened in the last ten years? In the name of culture, we are seeing an erosion of individuality and a sameness creeping in. The culture we so want to uphold is turning into a mask to condone religious intolerance.

    Gentlemen and Ladies as well, culture does not come with a corollary -that one has to be at the cost of other. Instead a culture becomes richer and more textured by the more number of elements it is able to keep and safeguard with an openness that is not detrimental to democracy and equal rights. Is that so hard for us to understand or accept?

  • Anjum Hasan at Anita’s Attic, and our first book event

    Season 2 at Anita’s Attic | Week 4

     
    Every week Anita’s Attic has a speaker who comes in and talks to the writers about what it is to be a writer, an editor, a bookseller or reviewer. This time Anita’s Attic also had its first book event.

    In our fourth week of Season 2, we were delighted and honored to have the much acclaimed writer Anjum Hasan read from her just published novel Cosmopolitans, talk about her journey as a writer and share her insights on the writing process.

    Thank you Anjum Hasan.

  • *conditionsapply speaks about how, for writers, one size doesn’t fit all digital platforms

    Season 2 at Anita’s Attic | Week 3

     
    Once upon a time writers cut their authorly teeth in magazines. We saw the publishing of our stories, essays and poems in publications as the beginning of a literary career. And then the internet happened and a whole new world opened up. The digital space where you could speak your mind, shape your thoughts and find a platform to launch yourself as a writer.

    But how do you create a digital footprint that is followed ? In a universe teeming with Facebook and Twitter users, bloggers and WordPress savants, how do you ensure that your presence is felt ?

    Which is where Biju Ebenezer, senior member of my digital partners *conditionsapply stepped in. Sharing tips and techniques on how to navigate the digital space with the Season 2 writers at Anita’s Attic.

  • Zac O’Yeah at Anita’s Attic, sets the tone for the Season

    Season 2 at Anita’s Attic | Week 2

     
    The first writer to visit Anita’s Attic usually sets the tone for the particular season, in this case the 2nd Season of Anita’s Attic Creative Writing & Mentorship program. And who better than the uber talented and highly amusing Zac O’Yeah ?

    A travel writer and novelist, Zac O’Yeah has a unique perspective on what it takes to be a writer in India and how to rise above the ordinary and commonplace.

    Thank you Zac. We loved having you!

    Zac at the Bangalore Lit Fest 2014

  • Vestin Verghese

    [symple_column size=”one-third” position=”first” fade_in=”false”]
    Vestin-Verghese---Author-Profile

    [symple_social icon=”facebook” url=”https://www.facebook.com/vestin.verghese” title=”Follow Me” target=”self” rel=””]

    [symple_social icon=”linkedin” url=”https://in.linkedin.com/pub/vestin-verghese/46/5b2/95b” title=”Follow Me” target=”self” rel=””]

    [/symple_column]

    [symple_column size=”two-third” position=”last” fade_in=”false”]
    I am : From Thrissur, Kerala

    Presently biding my time : Nurturing the creative side of me

    As I secretly follow my dream of : Being a great novelist

    As good as : Roald Dahl

    Part of the : Creative Writing Mentorship Program from 24 January – 11 April, 2015

    Contact Me : vestinwrites@gmail.com
    [/symple_column]

    About being a part of Anita’s Attic Creative Writing program

    If Alice was a budding writer, Anita’s Attic would have been her wonderland. Anita Nair’s magic touch transformed my clumsy first draft into a novel well worth publishing. Along the way I came face to face with elusive beings from a parallel universe. A literary agent, a couple of writers, a journalist, an editor and a publisher from the literary sky, lit up our Saturdays at Anita’s Attic. A motley yet talented group of fellow writers supported and spurred me on every inch of the way. Eleven writing Alices found their voices at Anita’s Attic. And I was one of them.

     

    Vestin Verghese’s Bio

    Vestin Verghese is a writer. Vestin Verghese was the magazine editor of his Anglo-Indian school. He went on to represent the Thrissur Veterinary college and won prizes in short story writing and essay writing at the University level. Vestin Verghese won the Times of India ‘Funny Valentine contest’ in Hyderabad. He wrote for the Youth Express. He was also a columnist for City Journal, a local newspaper. Vestin Verghese has written extensively for children. Over a hundred of his pieces have appeared in Magic Pot. He has made telling contributions to Tell Me Why, the magazine which won the National award for scientific communication in 2015. Vestin Verghese is a passionate night-time writer. During the day he works as a vet. Currently he is honing his writing skills at Anita’s Attic in Bangalore. His much awaited children’s novel is expected to hit the bookshelves this year. He may be reached at vestinwrites@gmail.com.

  • Akhil Kakkar

    [symple_column size=”one-third” position=”first” fade_in=”false”]
    Akhil Kakkar

    [symple_social icon=”facebook” url=”https://www.facebook.com/akhil.kakkar” title=”Follow Me” target=”self” rel=””]

    [symple_social icon=”twitter” url=”https://twitter.com/akhilkakkar” title=”Follow Me” target=”self” rel=””]

    [/symple_column]

    [symple_column size=”two-third” position=”last” fade_in=”false”]
    I am : From New Delhi

    Presently biding my time : As a writer and trainer

    As I secretly follow my dream of : A novelist and short story writer.

    As good as :A writer who perennially contemplates if the styles of Don DeLillo and Ian Rankin could be fused into a single novel

    Part of the : Creative Writing Mentorship Program from 24 January – 11 April, 2015

    My Website : Time to Write

    Recent Published Work : My short story ‘Space Submission’ was recently published in the literary journal ‘Madras Mag
    [/symple_column]

    About being a part of Anita’s Attic Creative Writing program

    I was extremely lost after writing one-third of a novel I started during my M.A program. At this exceedingly uncertain juncture of my professional writing career, twelve weeks at Anita’s Attic was just what I needed to solve my doubts and get my writing back on track. I can confidently say that the Anita’s Attic Creative Writing program has definitely reinforced my confidence in my writing. Anita Nair’s insights and suggestions have significantly helped me improve the quality of my writing and given me a deeper understanding of the Indian publishing industry.

    As we were required to submit our creative work every week, I developed a habit of writing and meeting deadlines. I also achieved significant order and control in my writing. As for the class at Anita’s Attic, I was fortunate enough to be in a group of very talented people who had diverse styles of writing.

    Nowadays, every Saturday, I get a strong feeling of nostalgia, as Saturdays now remind me of the valuable guidance sessions by Anita Nair and the inspiring conversations with fellow writers at Anita’s Attic. In addition, she also exposed me to all other facets involved in writing – editors, literary agents, publishers etc. Every week, we had a speaker who opened our world to all other finer nuances. What more can a budding writer ask for?

     

    Akhil Kakkar’s Bio

    Akhil Kakkar is a Delhi based writer and trainer. He has an M.A. in Creative Writing from Brunel University, London where his dissertation tutor was Booker-longlisted author Matt Thorne. He has attended the ‘Time to Write’ course at University of Cambridge twice, and also has an M.Sc. in Management from Lancaster University. Influenced by Don DeLillo’s ‘Americana’, Akhil left a prosperous but mundane career in marketing communication, during which he was an extensively interviewed and published spokesperson for the construction chemicals industry, to pursue creative writing, his passion. He has forbidden himself to question this transition. He is currently working on multiples short storiesand his first novel.