Author: Anita Nair

  • The Grand Finale to Season 2 of Anita’s Attic at Namma Metro, MG Road, Bengaluru

    You are cordially invited to the graduation ceremony and celebrations of the second batch of writers graduating from Anita’s Attic Creative Writing Mentorship Program.

    Sudhakar Rao – Former Chief Secretary, Karnataka & Jayanth Kodkani Deputy Resident Editor, Times of India Bengaluru will grace the occasion. Please do join us as the Graduating Class read out from their collaborative fiction projects at the Rangoli Metro Theatre, MG Road Bengaluru, on November 14th 2015 between 5 – 7 pm.

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    The Graduating Class :

    Adithya Ravi Chaya Nair
    Chirantan Shah Mani Kurian
    Peter Vas Poorva Dinesh
    Rahul Warrier Raksha Kumar
    Sandeep Narayanan Shruthi Ramachandra
    Sriranjini S Vani Menon

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    Look forward to seeing you on :

    Date : November 14th 2015

    Time : 5 – 7 pm

    Venue : Rangoli Metro Theatre, MG Road Bengaluru

     

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    The Official Invite

    Grand-Finale-to-Season-2-of-Anitas-Attic-at-Namma-Metro-MG-Road-Bengaluru

  • Devapriya Roy and Saurav Jha at Anita’s Attic

    Season 2 at Anita’s Attic | Week 11

    And what an amazing penultimate session we had at Anita’s Attic.

    Three groups of writers working on collaborative projects. A pre-Diwali lunch of chole bhatura, pulao and raita and matka rabri. Then the beat poet in the group let loose his verse that was seriously good stuff.

    As for the last speakers of the season we had a highly entertaining duo – the author couple Devapriya Roy and Saurav Jha who talked about their brilliant travel book The Heat & Dust Project .

    Food, fun and great writing. What more could anyone ask for?

  • Sathya Ramaganapathy’s ‘The Grievance Collector’ is a Finalist in Open Road Review Short Fiction Prize 2015

    Sathya Ramaganapathy‘s ‘The Grievance Collector’ is a Finalist in Open Road Review Short Fiction Prize 2015 !

    Open Road Review, a literary magazine of short fiction (including translations), creative nonfiction, poetry & artwork, was founded in 2011 & the first issue was published on 1st May 2012.

    Open Road Review publishes once every quarter & has published over 130 writers from 20 countries so far.

    Congratulations Sathya !

    You can read her “modern day, ‪#‎Facebook‬ style tale of revenge” here.

  • Vivek Tejuja at Anita’s Attic on Week 10

    Season 2 at Anita’s Attic | Week 10

    It’s not very often that a reviewer is also a writer and a book seller.

    Which is why it was wonderful to have the brilliant and very witty Vivek Tejuja come in as the speaker at the 10th Session of Anita’s Attic Season 2. Vivek whose young adult book will be published early next year is precisely the kind of writer one needs to introduce to new writers to. For he drives home the message again and again that it is the writing that is important and not what happens thereafter.

    That is the writer’s dharma; the rest is entirely the book’s karma.

    Thank you Vivek.

  • Krupa Ge longlisted in the Toto Awards for English Creative Writing 2016

    Krupa Ge longlisted in the Toto Awards for English Creative Writing 2016 !

    Toto Funds the Arts is a non-profit trust set up in 2004 in memory of Angirus ‘Toto’ Vellani, who was intensely passionate about music, literature and film. It nurtures and encourages young artists in India through awards, workshops and other events.

    Congratulations Krupa !

  • Samhita Arni meets the Class at Anita’s Attic

    Season 2 at Anita’s Attic | Week 8

    Samhita Arni is as young as they come. But this is a writer whose understanding of her realm and her passion for the myth space would far out rank those of many mature writers. She is exactly the kind of beacon the writers at Anita’s Attic needed to draw them on.

    For without passion, there is no writing. And without research, there is no foundation to build the imagination on.

    Thank you Sam.

    We loved having you.

  • The Editor & the Writer hold court at Anita’s Attic

    Season 2 at Anita’s Attic | Week 7

    It’s wonderful to have some of the finest writing talent drop in to Anita’s Attic to speak to the writers on the writing process.

    It is just as important to have an editor come by to tell them what goes into the editorial process and how manuscripts actually transform into published books. What does an editor seek in a new voice? What does an editor detest? What does an editor actually mean when she says ‘it doesn’t work’- and who better than the gorgeous and keen-eyed Ajitha G. S., Commissioning Editor at HarperCollins India?

    And then a bit like the masterchef classes, a favourite from the previous season Krupa Ge dropped in as well, but more on Krupa and her doings very soon in a separate post.

    Ladies, you rocked!

  • The zany Dave Besseling at Anita’s Attic

    Season 2 at Anita’s Attic | Week 6

    It’s not often that one finds a writer like Dave Besseling whose writing has an edginess that makes you want to both cringe and applaud.

    Last Saturday, the Deputy Editor of GQ India and the author of Liquid Refuses to Ignite, and whose writing has been featured in GQ, The Atlantic, Slate, Esquire, Wallpaper, Rolling Stone, Forbes, The Asia Literary Review, The Toronto Star, Mint-Wall Street Journal and others dropped into the Attic to chat with the writers of Season 2.

    He was candid, fun and precisely the sort of writer so necessary to add a flip to the middle of the season.

    Thank you Dave. We loved having you!

  • The Silk Route

    [symple_box color=”blue” fade_in=”false” float=”center” text_align=”left” width=””]Originally published in the Times of India – Kochi Edition on 3 October 2015 as a part of its 1st Anniversary Special.[/symple_box]
     
    Silk-Route---Anita-NairI am confused. There is this phrase `Indian Cul ture’ we like to bring out to justify our warped beliefs and twisted, inhuman, brutal acts. There is this word `culture’ we hang on our pennants and brandish to the world to explain everything we do from why we eat with our hands [which is perfectly fine], to why we defecate in the open [which isn’t]. There is this mantra `Indian Culture’ that we hug to our many thousand-year-old bosoms and preen with the smug nonchalant expression of the cat that drank up the baby’s milk: it is the nature of a cat to do so. Take it or leave it, but this is who I am and will continue to be.

    But what is our culture? Is it a mob attacking a family and killing a man because he is alleged to have eaten beef ? Is it shooting voyeuristic photographs of women in leggings and running it as a cover story?

    Is it a group of priapic young men pouncing on a lone girl like a murder of crows on a baby mouse and tearing her to shreds? Is it as silly as a `mandoos’ man suing a hotel for not having a health faucet? Is it a bunch of right wing political parties extenuating each one of these crimes with a grudging `it is wrong, of course, but it is our Indian Culture to not eat beef, not to wear leggings or for women to not go out on their own late in the night, and of course, to wash our bottoms.’ The sub text being you will pay the price if you do not follow the diktats of what we believe is our ancient culture. But how can any value system be termed culture if it stays stagnant and ceases to grow?

    What was once right may not be right anymore! Then there is the other and more frightening dimension. Where is it written that only men are the custodians of our culture? What makes it the man’s prerogative to appoint himself as the culture vigilante? Perhaps it is just me but I am yet to read about a mob of women who will attack a family for eating a particular kind of meat. I am yet to hear of a woman who will shoot pictures of the bulge in a man’s pants. I am yet to meet a group of women who will harass a man out on his own at night or do him bodily harm. So don’t women have a responsibility to uphold the cultural flame?

    They do, but without the extremism that seems to enter the male cultural deacon’s efforts. Look around you, gentlemen, or better still, sit in a corner of your home for one full day and watch the women in your family and you will see for yourself what culture is truly about. It is your sister drawing a kolam in your front yard improvising on a design that your grandmother probably taught her, for culture is kept alive only by regular injections of fresh thought; it is your little daughter sharing her toy with your son because culture is about a generosity of spirit and deed; it is your wife cooking you fish even though she is a vegetarian herself because culture is about accepting a fundamental tenet of humanity: live and let live; it is your mother haggling with the vegetable seller without raising her voice or punching his nose because culture is about stating your point of view without violence or creating mayhem. It is your niece tending to her little garden of flowers and vegetables, for culture is also about nurturing and keeping; and sustaining what there is to make our lives better.

    Gentlemen, you tell yourself that these are not life changing things. Women have always done them. But we men have larger issues to grapple with. Would you kindly explain to me what these larger issues are?

    Moral policing? Caste politics? Milking the exchequer dry? Corruption? Working against the larger interest of the nation by turning politics into a power play?

    Segregating the country into groups and forcing the rest to follow one belief system? Destroying nature to satiate your greed? And before you say it, women do all of these as well. There are women bootleggers and brothel keepers, women traffickers and smugglers; there are corrupt and power hungry women politicians; there are women who are a disgrace to world womanhood with their archaic thoughts on what an Indian woman must wear, do, say and show.[`No cleavage please, we are Indian’ being one of their favourite chants]. But somehow you men manage to out shadow the women when it comes to retrograde thinking. Just as in the Indian Parliament, your percentage is way above the seats reserved for women MPs.

    So here it is, gentlemen, let me share with you what I think culture is all about. And as a woman, let me use a womanly metaphor to explain. Let us see culture as a silk sari which so embodies our pan Indian DNA.Like silk saris, culture needs to be washed periodically . Grime and rankness have a way of clinging to anything with time; that does not mean we wring away its very life. Instead, we treat it gently but with a sure hand and iron out the wrinkles that appear after the washing. Culture needs frequent airing for both silk and culture are organic and can survive only when allowed to breathe. Culture, just as silk saris, are not to be stacked up in the cupboards of our mind, but to be worn every day and be made part of our daily existence. And there is a time and place to play the culture card just as there is a time and place to wear a silk sari. So it may be prudent to wear a short dress on the beach, stride around in leggings on a morning walk, and yet choose to wear saris at other times.

    Culture is mostly about being able to make a choice and not because it is demanded of us. So I will eat beef if I choose to and turn vegetarian if I want to. I will embrace both the occidental way of life and my Indianness for true Indian culture is about being catholic and expansive enough to accept and absorb multiple ways of thought and life. I will read the Bhagwad Gita, the Bible, the Guru Granth Sahib and the Quran. I will sing both carnatic music and strum a rock song on the guitar. I will not stuff my values down your throat and nor will I allow you to stuff your values down mine. I will live and let live. Culture exists to enhance my life; I do not exist to enhance culture.

    I think of my little village Mundakotukkurussi where the population veers equally between Hindus and Muslims. Once upon a time there wasn’t any tension in the name of religion or culture. Neither the Hindu women adorned their foreheads with a beaconlike kumkum nor did the Muslim women hide under a burkah. What happened in the last ten years? In the name of culture, we are seeing an erosion of individuality and a sameness creeping in. The culture we so want to uphold is turning into a mask to condone religious intolerance.

    Gentlemen and Ladies as well, culture does not come with a corollary -that one has to be at the cost of other. Instead a culture becomes richer and more textured by the more number of elements it is able to keep and safeguard with an openness that is not detrimental to democracy and equal rights. Is that so hard for us to understand or accept?

  • Anjum Hasan at Anita’s Attic, and our first book event

    Season 2 at Anita’s Attic | Week 4

     
    Every week Anita’s Attic has a speaker who comes in and talks to the writers about what it is to be a writer, an editor, a bookseller or reviewer. This time Anita’s Attic also had its first book event.

    In our fourth week of Season 2, we were delighted and honored to have the much acclaimed writer Anjum Hasan read from her just published novel Cosmopolitans, talk about her journey as a writer and share her insights on the writing process.

    Thank you Anjum Hasan.