Category: In the Press

  • Daddy Dearest | Collaborative Fiction from Anita’s Attic Season 2 in The Bangalore Mirror

    This week’s proud mommy moment.

    The second piece of collaborative fiction by Anita’s Attic Season 2 writers published this morning in the Bangalore Mirror.

    Take a bow Shruti Ramachandra, Chaya Nair, Mani Kurian and Sandeep Narayanan.

    And thank you again Bangalore Mirror.

    An Excerpt

    She went silently to the door and opened it. I awkwardly said a hasty goodbye to her and walked out utterly confused as to what just happened. As I walked down the road, I heard someone calling out to me. It was Indira Aunty, she’d run all the way. Thrusting an album filled with pictures of my mum into my hand, she hugged me tight without letting go for a while. Then holding me by my shoulders she looked at me and whispered gravely “Call me if you ever need anything and most of all please stay safe.“ It was graduation day, the day everyone in college was waiting for. The vicious cycle of exams, semesters and assignments had finally ended and the graduation ceremony gave the end of college a sense of finality. It had been a crazy ride filled with tons of beer, vodka and drugs partly because it was the cool thing to do in college and partly because I felt my Dad was a complete and total phony.

     
    Read the complete story online here
     
    Download the .pdf version here

  • A Pound of Flesh | Collaborative Fiction from Anita’s Attic Season 2 in The Bangalore Mirror

    It’s a proud day for Anita’s Attic. A piece of collaborative fiction written by four of our writers from Season 2 has just been published.

    Take a bow Sriranjani S, Poorva Dinesh, Chirantan Shah and Rahul Warrier.

    And thank you Bangalore Mirror for showcasing Anita’s Attic writers.

    An Excerpt:

    I climb down the stairs muttering a prayer under my breath, hoping the Lord Krishna would have mercy on my soul. Is this a test to check my faith or has my Lord given up on me? If I do not find an answer, then I will be thrown out of the temple. Who knows, maybe I will be thrown out of the village, as well.
    Everyone will blame me for the missing calf. It was my duty to check the shed, make sure all the cows had been accounted for. I very seldom do. Who would steal a cow or a calf from a holy place? No sane person would dare anger the goddess. It was only this morning that I realised it was the wrong thing to do. Maybe if I had noticed the missing calf first, then I wouldn’t be under so much pressure. It would have been someone else and I would have been free and at peace. Now, it feels like the whole world will be judging me. All morning two people searched the village. Nobody found anything.

    Read as it appeared in The Bangalore Mirror

    A-Pound-Of-Flesh---Collaborative-Storywriting-Anitas-Attic-Season-2

    To download the .pdf version, click here

  • Alphabet Soup for Lovers | Announcing the new novel by Anita Nair

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    Pre-order your copy now !

    Amazon India | Flipkart | Infibeam | Uread

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    Alphabet-Soup-for-Lovers-by-Anita-Nair---Pre-Order-Now

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    A story of where love can take you and where it can leave you.

    Synopsis

    A story of food, love and the god particle.

    Lena Abraham knows that love can end in only one way — disappointment. Her marriage to KK is perfect precisely because she is not in love with him, and their life on a tea plantation in the picturesque Anamalai Hills is idyllic. Then, one rainy morning, a man arrives to take up temporary residence in the homestay they run.

    Shoola Pani is south Indian cinema’s heartthrob, an actor in flight from his own superstardom, and the last thing he is looking for is emotional entanglement. But when Lena and he meet, something flares between them that neither could have anticipated. She becomes his Lee and he her Ship, and Arcadia the place they inhabit.

    Told partly from the point of view of Komathi, the cook, whose own relationship with Lena is fraught with buried truths from the past, this searing tale of unexpected passion and adultery reaffirms the magical power of love in all our lives.

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    Alphabet Soup for Lovers releases on 25 November 2015

  • The Silk Route

    [symple_box color=”blue” fade_in=”false” float=”center” text_align=”left” width=””]Originally published in the Times of India – Kochi Edition on 3 October 2015 as a part of its 1st Anniversary Special.[/symple_box]
     
    Silk-Route---Anita-NairI am confused. There is this phrase `Indian Cul ture’ we like to bring out to justify our warped beliefs and twisted, inhuman, brutal acts. There is this word `culture’ we hang on our pennants and brandish to the world to explain everything we do from why we eat with our hands [which is perfectly fine], to why we defecate in the open [which isn’t]. There is this mantra `Indian Culture’ that we hug to our many thousand-year-old bosoms and preen with the smug nonchalant expression of the cat that drank up the baby’s milk: it is the nature of a cat to do so. Take it or leave it, but this is who I am and will continue to be.

    But what is our culture? Is it a mob attacking a family and killing a man because he is alleged to have eaten beef ? Is it shooting voyeuristic photographs of women in leggings and running it as a cover story?

    Is it a group of priapic young men pouncing on a lone girl like a murder of crows on a baby mouse and tearing her to shreds? Is it as silly as a `mandoos’ man suing a hotel for not having a health faucet? Is it a bunch of right wing political parties extenuating each one of these crimes with a grudging `it is wrong, of course, but it is our Indian Culture to not eat beef, not to wear leggings or for women to not go out on their own late in the night, and of course, to wash our bottoms.’ The sub text being you will pay the price if you do not follow the diktats of what we believe is our ancient culture. But how can any value system be termed culture if it stays stagnant and ceases to grow?

    What was once right may not be right anymore! Then there is the other and more frightening dimension. Where is it written that only men are the custodians of our culture? What makes it the man’s prerogative to appoint himself as the culture vigilante? Perhaps it is just me but I am yet to read about a mob of women who will attack a family for eating a particular kind of meat. I am yet to hear of a woman who will shoot pictures of the bulge in a man’s pants. I am yet to meet a group of women who will harass a man out on his own at night or do him bodily harm. So don’t women have a responsibility to uphold the cultural flame?

    They do, but without the extremism that seems to enter the male cultural deacon’s efforts. Look around you, gentlemen, or better still, sit in a corner of your home for one full day and watch the women in your family and you will see for yourself what culture is truly about. It is your sister drawing a kolam in your front yard improvising on a design that your grandmother probably taught her, for culture is kept alive only by regular injections of fresh thought; it is your little daughter sharing her toy with your son because culture is about a generosity of spirit and deed; it is your wife cooking you fish even though she is a vegetarian herself because culture is about accepting a fundamental tenet of humanity: live and let live; it is your mother haggling with the vegetable seller without raising her voice or punching his nose because culture is about stating your point of view without violence or creating mayhem. It is your niece tending to her little garden of flowers and vegetables, for culture is also about nurturing and keeping; and sustaining what there is to make our lives better.

    Gentlemen, you tell yourself that these are not life changing things. Women have always done them. But we men have larger issues to grapple with. Would you kindly explain to me what these larger issues are?

    Moral policing? Caste politics? Milking the exchequer dry? Corruption? Working against the larger interest of the nation by turning politics into a power play?

    Segregating the country into groups and forcing the rest to follow one belief system? Destroying nature to satiate your greed? And before you say it, women do all of these as well. There are women bootleggers and brothel keepers, women traffickers and smugglers; there are corrupt and power hungry women politicians; there are women who are a disgrace to world womanhood with their archaic thoughts on what an Indian woman must wear, do, say and show.[`No cleavage please, we are Indian’ being one of their favourite chants]. But somehow you men manage to out shadow the women when it comes to retrograde thinking. Just as in the Indian Parliament, your percentage is way above the seats reserved for women MPs.

    So here it is, gentlemen, let me share with you what I think culture is all about. And as a woman, let me use a womanly metaphor to explain. Let us see culture as a silk sari which so embodies our pan Indian DNA.Like silk saris, culture needs to be washed periodically . Grime and rankness have a way of clinging to anything with time; that does not mean we wring away its very life. Instead, we treat it gently but with a sure hand and iron out the wrinkles that appear after the washing. Culture needs frequent airing for both silk and culture are organic and can survive only when allowed to breathe. Culture, just as silk saris, are not to be stacked up in the cupboards of our mind, but to be worn every day and be made part of our daily existence. And there is a time and place to play the culture card just as there is a time and place to wear a silk sari. So it may be prudent to wear a short dress on the beach, stride around in leggings on a morning walk, and yet choose to wear saris at other times.

    Culture is mostly about being able to make a choice and not because it is demanded of us. So I will eat beef if I choose to and turn vegetarian if I want to. I will embrace both the occidental way of life and my Indianness for true Indian culture is about being catholic and expansive enough to accept and absorb multiple ways of thought and life. I will read the Bhagwad Gita, the Bible, the Guru Granth Sahib and the Quran. I will sing both carnatic music and strum a rock song on the guitar. I will not stuff my values down your throat and nor will I allow you to stuff your values down mine. I will live and let live. Culture exists to enhance my life; I do not exist to enhance culture.

    I think of my little village Mundakotukkurussi where the population veers equally between Hindus and Muslims. Once upon a time there wasn’t any tension in the name of religion or culture. Neither the Hindu women adorned their foreheads with a beaconlike kumkum nor did the Muslim women hide under a burkah. What happened in the last ten years? In the name of culture, we are seeing an erosion of individuality and a sameness creeping in. The culture we so want to uphold is turning into a mask to condone religious intolerance.

    Gentlemen and Ladies as well, culture does not come with a corollary -that one has to be at the cost of other. Instead a culture becomes richer and more textured by the more number of elements it is able to keep and safeguard with an openness that is not detrimental to democracy and equal rights. Is that so hard for us to understand or accept?

  • Six Writers from Anita’s Attic get their work showcased in the Criterion International journal

    Anita’s Attic is proud and delighted to have placed the works of six of our writers from Season 1.

    Six voices. Each one distinct and strong. Showcased in the Criterion International journal.

    Writer Title Pages Read the Story
    Akhil Kakkar Marathon 366-370 Click here
    Archana Vijay The Delivery 371-374 Click here
    Harini Rajasekhar The Bathtub 375-377 Click here
    Krupa Ge The Day Alamelu Grew Up 378-380 Click here
    Sathya Ramaganapathy If It’s Dinner, It Must Be Dosa 398-401 Click here
    Swapna Narayanan Mala, Old and Tall 402-405 Click here

     

    Congratulations !

  • Vestin Verghese’s story Gandhi Rocks selected for Sampad’s Anthology

    Vestin Verghese, a vet by profession and a writer by calling, is a voice to watch out for among the writers of Anita’s Attic Season 1.

    His whimsical way of thinking makes him a natural children’s writer. As for his short stories, they are a class apart.

    Naturally, we at Anita’s Attic are very delighted to announce that Vestin’s story Gandhi Rocks  has been accepted by the U.K based Sampad (South Asian Arts Association) for publication in their anthology ‘Inspired by Gandhi‘ based on a competition held in May 2015.

    An Excerpt from the Selected Work

    ‘Ravi Kiran gazed out of the curtain-less tea shop window. He sighed. The grey of the boulder on which the tea shop stood gave way to the vivid green of the estates, and the silver of the water, that surrounded Rockhead Island. Ravi Kiran glanced at the tables…..’

    Congratulations Vestin Verghese….your storytelling rocks!

  • Anita’s Attic in The Economic Times, Bengaluru Edition

    Divya Shekhar of The Economic Times on the Creative writing Mentorship program at Anita’s Attic, dated April 10, 2015.

    Speaking to ET about what it takes to be an author, Anita said, “There are three stages ­ first, a natural tal ent or inclination to write; second, crafting those skills and third, perseverance despite failures.“ Anita’s Attic was a result of numerous mentorship requests received over the years.

    Read the Online version here.

  • Big News Live | അനിതാനായര്‍ ഇപ്പോള്‍ കഥയെഴുതിപ്പിക്കുകയാണ്

    Story Dated : April 9, 2015
    കെ ബാല ചന്ദ്രന്‍

    ബംഗളൂരു: ജീവിതവൃത്തി എന്തായാലും വാക്കുകളുടെ മോഹവലയത്തില്‍ വീണ് സര്‍ഗ സാഹിത്യ രചന ഹൃദയ താളമാക്കിയവര്‍ക്ക്, സ്വന്തം രചനാ തന്ത്രങ്ങള്‍ മൂര്‍ച്ച കൂട്ടാന്‍ സഹായവുമായി പ്രശസ്ത നോവലിസ്റ്റ് അനിതാ നായരുടെ ‘സാഹിത്യപ്പണിപ്പുര’. ‘അനിതാസ് അറ്റിക് ‘(അനിതയുടെ മച്ചിന്‍ പുറം) എന്നപേരില്‍ കഴിഞ്ഞ പന്ത്രണ്ടു ശനിയാഴ്ച്ചകളില്‍ നടന്നുവന്ന ശില്പശാല വരുന്ന ശനിയാഴ്ച (ഏപ്രില്‍11)’ രംഗോളി മെട്രോ ആര്‍ട്ട് സെന്ററിലെ ‘രംഗസ്ഥല’ത്ത് സമാപിക്കും.

    എഴുത്ത് തൊഴിലാക്കിയവര്‍ക്ക് പുറമേ, മാധ്യമപ്രവര്‍ത്തകര്‍, എഞ്ചിനിയര്‍മാര്‍, മൃഗ ഡോക്ടര്‍, വിദ്യാര്‍ത്ഥികള്‍, പ്രൊഫസര്‍, ചലച്ചിത്ര പ്രവര്‍ത്തകര്‍ തുടങ്ങി സമൂഹത്തിന്റെ പലതുറകളിലുമുള്ളവര്‍ അനിതയെന്ന തഴക്കം വന്ന എഴുത്തുകാരിയുടെ സജീവ ഇടപെടലില്‍ രചനയുടെ കാണാപ്പുറങ്ങള്‍ കണ്ടറിയാന്‍ എത്തി. പണിപ്പുരയിലെ പരിശീലനാര്‍ത്ഥികള്‍ സ്വന്തം രചനകള്‍ വായിച്ചവതരിപ്പിക്കുന്നതോടെ അവരുടെ അരങ്ങേറ്റം നടക്കും.

    കഥപറച്ചില്‍ ഭാരതീയരുടെ മികവുകളില്‍ ഒന്നാണെങ്കിലും, ‘സര്‍ഗ രചന’ നമ്മുടെ സര്‍വകലാശാലകളില്‍ ഒരു മികവുറ്റ പഠന വിഷയമായി ഉരുത്തിരിഞ്ഞു വന്നിട്ടില്ല. എന്നാല്‍ പാശ്ചാത്യ സര്‍വകലാശാലകള്‍ കഥ, കവിത, തുടങ്ങി സര്‍ഗ സാഹിത്യത്തില്‍ എംഎഫ്എ (മാസ്റ്റര്‍ ഓഫ് ഫൈന്‍ ആര്ട്‌സ്)ബിരുദം നല്‍കുന്നുണ്ട്. ഈ വിടവ് നികത്താനുള്ള ആദ്യ ചുവടുവെപ്പാണ് ‘സാഹിത്യ ശില്പ ശാല’ എന്ന് കരുതാം.

    തകഴിയുടെ ‘ചെമ്മീന്‍’ വിവര്‍ത്തനത്തിലൂടെ തന്റെ മലയാളി വ്യക്തിത്വം പ്രകടമാക്കിയ അനിതാനായര്‍, ഇംഗ്ലിഷില്‍ നോവല്‍, കഥ, കവിത, വിവരണാത്മക ഗദ്യം, ഉപന്യാസം തുടങ്ങി കൈവച്ച മേഖലകളിലെല്ലാം വ്യക്തിമുദ്ര പതിപ്പിച്ച എഴുത്തുകാരിയാണ്. വിവിധ പ്രായത്തിലും, ജീവിത മേഖലകളിലുമുള്ള സര്‍ഗ പ്രണയികളെ വഴികാട്ടാന്‍ ഇതിലും മികച്ച ഒരു പ്രതിഭയെ കിട്ടാനുണ്ടോ?

    ‘വളരെക്കാലമായി എഴുത്തുകാര്‍ക്ക് മാര്‍ഗ നിര്‍ദ്ദേശം നല്‍കാനും, കൈയെഴുത്ത് പ്രതികള്‍ പരിശോധിക്കാനും എന്റെ വെബ് സൈറ്റില്‍ ഒട്ടേറെ അഭ്യര്‍ത്ഥനകള്‍ ലഭിക്കാറുണ്ട്. എല്ലാവര്‍ക്കും മറുപടിയയക്കുക അസാധ്യം. ഫേസ്ബുക്കില്‍ ഈ പരിപാടിയെക്കുറിച്ച് വിവരം നല്‍കി. നൂറോളം പേര്‍ താല്പര്യം കാട്ടിയതില്‍ നിന്ന് പതിനൊന്നുപേരെ തിരഞ്ഞെടുത്തു അവരയച്ച രചനാ മാതൃകകള്‍ പരിശോധിച്ചാണ് തെരഞ്ഞെടുത്തത്. ‘അനിത നായര്‍ പറയുന്നു. പതിനെട്ടു വയസ്സിനു മുകളില്‍ പ്രായമുള്ളവരും, 12 ശനിയാഴ്ച നീക്കി വയ്ക്കാന്‍ താല്‍പ്പര്യമുള്ളവര്‍ക്കുമാണ് അവസരം നല്കിയത്. എഴുത്തുകാരുടെ മികവ് എന്തിലാണെന്ന് കണ്ടറിഞ്ഞു അത്തരം ഒരു ‘സര്‍ഗ പദ്ധതി’ അവരെക്കൊണ്ടു ചെയ്യിക്കുകയായിരുന്നു. വേണ്ട ഉപദേശവും, നിര്‍ദ്ദേശവും നല്‍കി.

    ആഴ്ചതോറും സമര്‍പ്പിക്കുന്ന രചനകള്‍ വിമര്‍ശനബുദ്ധ്യാ പരിശോധിച്ചു, അപഗ്രഥനം നടത്തും. എഴുത്തുകാര്‍, പ്രസാധകര്‍, എഡിറ്റര്‍ എന്നിങ്ങനെ പല തലങ്ങളിലുള്ളവര്‍ രചയിതാക്കളുമായി ആശയ വിനിമയം നടത്തി. ശില്‍പ്പശാല കഴിഞ്ഞാല്‍ പ്രസിദ്ധീകരണത്തിന് പ്രതികള്‍ അയക്കാന്‍ കഴിയുന്ന വിധമാണ് പരിശീലനം സംഘടിപ്പിച്ചിരുന്നത്. ഓരോ പരിശീലനാര്‍ത്ഥിക്കും പ്രത്യേക ആവശ്യമാണുള്ളത്, അത് നല്‍കുകയെന്നത് എളുപ്പമായിരുന്നില്ലെന്ന് അനിത നായര്‍ ചൂണ്ടിക്കാട്ടുന്നു. പക്ഷെ 12 ആഴ്ചകൊണ്ട് അവരില്‍ വന്ന നാടകീയമായ സര്‍ഗ പരിവര്‍ത്തനം നല്‍കിയ സന്തോഷം നിസ്സീമമായിരുന്നു വെന്ന് അനിതാനായര്‍.

    താന്‍ രചനക്ക് മാര്‍ഗനിര്‍ദ്ദേശം നല്‍കിയവരുടെ കൃതികള്‍ പ്രസിദ്ധീകരിക്കാനും അനിത ഒരു പ്രസാധക സ്ഥാപനവുമായി ചേര്‍ന്ന് പദ്ധതി തയ്യാറാക്കിയിരിക്കുന്നു. ആദ്യ ശില്പശാലയില്‍ പങ്കെടുത്തവരുടെ കൃതികള്‍ ഒരു സമാഹാരത്തില്‍ ഉള്‍പ്പെടുത്തും. അടുത്ത ‘അനിതാസ് അറ്റിക് ‘ ശില്‍പ്പശാല അടുത്ത സെപ്‌തെംബറില്‍ നടക്കും. കൂടുതല്‍ വിവരങ്ങള്‍ക്ക് www.anitanair.net , anitasattic.com എന്നീ വെബ്‌സൈറ്റുകള്‍ സന്ദര്‍ശിക്കുക.

  • Anita’s Attic in the Times of India, Bengaluru edition

    GS Kumar of the Times Of India on the Creative writing Mentorship program at Anita’s Attic, dated April 7, 2015.

    They’ve been trained for 12 weeks (12 Saturdays) as part of Anita’s Attic, a creative writing and mentorship programme. The April 11 event will mark their graduation and see them reading out from their best works. It’s an attempt to help aspiring authors hone their skills and find their voice,” said Anita. The motley group includes journalists, engineers, professional writers, a student, professor, filmmaker and veterinarian.

    Read the Online version here.